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                <h3>CANHE YANG能祂</h3>
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                        <p>能祂是一位跨媒介艺术实践者与研究者，其工作聚焦于批判性技术理论及其在文化遗产领域的创新应用，深入探究当代技术如何介入、影响并重构个体的日常生活经验和文化遗产设计。他的艺术创作涵盖装置、影像、雕塑与首饰等多种媒介，致力于将抽象的理论思辨，转化为可视、可感知的物质与数字表达。</p>
                        <p>最近他提出的创作方法论——异时性设计 (Heterochronic Design)，根植于其创作实践与学术反思。该理论的提出，既源于跨越技术叙事与技术应用的创作实践，也来自于他对当前文化遗产领域过度依赖技术进行表面"克隆"的批判性观察。该理论旨在从人文视角出发，以当代社会问题为导向，通过谱系学方法挖掘古代的"群体意志"或组织哲学，并将其植入现代技术媒介，以此制造一种深刻的"古/今"逻辑摩擦，从而对当下被视为理所当然的文化范式与技术逻辑进行诘问。他的实践旨在通过这一理论，探索更具批判性与深度的再生产机制。</p>
                        <p>在专业实践中，能祂长期为阿迪达斯国际 (Adidas International)、中国国家博物馆、阿里巴巴、时尚COSMO等知名机构提供数字艺术与文化传播服务，并于2022年成为Output签约数字艺术家。</p>
                        <p>在学术与教育领域，他主理的实验设计工作室 "反观设计 R&D Design Studio"，正聚焦于生成式AI与物质文化交织的方法论研究。他曾以客座教师身份于中央美术学院与北京服装学院授课，教授GenAI技术赋能下的文化遗产创新设计等前沿课程。接下来，能祂将加入厦门大学创意与创新学院，协助英国创意艺术大学 (UCA) 的教师团队进行新媒体艺术的教学工作。</p>
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                        <p>Canhe is a cross-media artist and researcher whose work focuses on critical technology theory and its innovative applications in the field of cultural heritage. His practice delves into how contemporary technologies intervene, influence, and restructure individual daily experiences and cultural heritage design. His artistic creations span installation, moving image, sculpture, and jewelry, dedicated to transforming abstract theoretical speculation into visible, tangible material and digital expressions.</p>
                        <p>His recently proposed creative methodology—Heterochronic Design—is rooted in his creative practice and academic reflections. This theory emerged both from his creative practice that bridges technical narratives and applications, and from his critical observation of the current cultural heritage field's excessive reliance on technology for superficial "cloning." The theory aims to approach from a humanistic perspective, oriented towards contemporary social issues, using genealogical methods to excavate ancient "collective will" or organizational philosophy, and implanting them into modern technological media. This creates a profound "ancient/modern" logical friction, thereby questioning the cultural paradigms and technological logics that are taken for granted today. His practice seeks to explore more critical and profound reproduction mechanisms through this theory.</p>
                        <p>In professional practice, Canhe has long provided digital art and cultural communication services to renowned organizations such as Adidas International, the National Museum of China, Alibaba, and Cosmopolitan China. In 2022, he became a contracted digital artist with Output.</p>
                        <p>In the academic and educational field, his experimental design studio "R&D Design Studio" is currently focusing on methodological research at the intersection of generative AI and material culture. He has served as a visiting lecturer at the Central Academy of Fine Arts and Beijing Institute of Fashion Technology, teaching cutting-edge courses such as cultural heritage innovation design empowered by GenAI technology. Next, Canhe will join the School of Creativity and Innovation at Xiamen University to assist the teaching team from the University for the Creative Arts (UCA) in the teaching of new media art.</p>
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                <p><i class="fas fa-envelope"></i> hermeit@outlook.com</p>
                <p><i class="fas fa-hashtag"></i> 小红书：canhe_ych</p>
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